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Best in 7 days
Best in 7 days
Best in 7 days
Best in 7 days
4.7 ā
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Based on 1667 reviews
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Product Reviews
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4
Not bad
Color: Lifting (Jericho Rose)
I saw this on instagram and decided to give it a try. I want to lift my face and fill the collagen. It has a scent that like glue but it's easy to apply. It dry very fast and form a mask. It's very easy to peel. I like that the mask is not sticky and it's able to make my skin feels hydrate and glowy after use. But i feel a little greasy with that after effect and I got a pimple. If the mask smells like rose it will help the experience better.
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Reviewed in the United States on January 13, 2026
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5
Best wrap mask!
Color: Lifting (Jericho Rose)
Just the best wrap mask!!
A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
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Reviewed in the United States on May 20, 2026
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5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
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3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didnāt feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
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5
āThe fragments of a lifeāā¦
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that Iāve seen the world, ālo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, weād only viewed rather straightforward movies of āgood and evil,ā Westerners, and the like. Predictable endings. The director of ā8 Ā½,ā Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of oneās life get all jumbled up in the brain. And he provided some takeaways that have long been with me.
I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are āfragmentsā in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk AimĆ©e, who was the motive force behind the re-watching of it now. There is the āvirginalā Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guidoās flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wifeā¦
āUpstairs when you are 40.ā That was one of the big takeaways. Anselmi is having this male fantasy about his āharem,ā all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the āstripperā is now 40 and must go upstairs, the metaphor for being placed on the ādiscard pileā for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip.
It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like āimpoverished poetic imagination,ā āoverabundant symbols,ā and, of course, āself-indulgent.ā
I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published āThe Index of Forbidden Books,ā (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated.
Anouk AimĆ©e is absolutely mesmerizing. She has been a āfragmentā of my own life, ever since I viewed āA Man and a Womanā in the ā60ās. Again, she played opposite the equally formidable Jean-Louis Trintignant, of āZ,ā āThree Colors, Red,ā and so much else, fame. Far more relevantly, the two of them recently played in āThe Best Years of Our Lives,ā again directed by Claude Lelouch. AimĆ©e is now a young 90. In her role as Anselmiās wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies.
It struck to the core. Luisa is utterly fed up with Guidoās philandering and constant lies. And Guido is suffering from ādirectorās blockā in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: āBut what can you say to strangers when you canāt tell the truth to the one closest to youā¦ā.
The only problem is that Iāve felt that line was said in Ingmar Bergmanās āScenes from a Marriage.ā And maybe that line was ALSO said in Bergmanās movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe AimĆ©e would also. 5-stars, plus for Felliniās classic, formidable film.
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Reviewed in the United States on March 14, 2023
